Lisa Law: The Counterculture

Cập nhật ngày 04/08/2022 bởi mychi

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photoimageJanis Joplin and Big Brother and The Holding Company, Lagunitas, California, 1967. Joplin’s gritty, full-throttle blues-rock style offered a new, liberating image for women in the world of rock music. 

 

Unconventional appearance, music, drugs, communitarian experiments, and sexual liberation were hallmarks of the sixties counterculture, most of whose members were white, middle-class young Americans. To some Americans, these attributes reflected American ideals of free speech, equality, and pursuit of happiness. Other people saw the counterculture as self-indulgent, pointlessly rebellious, unpatriotic, and destructive of America’s moral order.

Authorities banned the psychedelic drug LSD, restricted political gatherings, and tried to enforce bans on what they considered obscenity in books, music, theater, and other media. Parents argued with their children and worried about their safety. Some adults accepted elements of the counterculture, while others became estranged from sons and daughters.

In 1967 Lisa and Tom Law moved to San Francisco, joining thousands of young people flocking to the Haight-Ashbury district. The counterculture lifestyle integrated many of the ideals and indulgences of the time: peace, love, harmony, music, mysticism, and religions outside the Judeo-Christian tradition. Meditation, yoga, and psychedelic drugs were embraced as routes to expanding one’s consciousness.


 

photoimageThe “Freak-Out” show, Los Angeles, 1965. Rock music, colorful light shows, performance artists, and mind-altering drugs characterized the psychedelic dance parties of the sixties held in large halls in Los Angeles and San Francisco. 
photoimageA concert in the Panhandle, Golden Gate Park, San Francisco, 1967 
photoimageThe Haight-Ashbury section of San Francisco, 1967. Students, hippies, musicians, and artists gravitated toward the community’s inexpensive housing and festive atmosphere. 
photoimageHell’s Angels motorcycle club members, the Panhandle in Golden Gate Park, San Francisco, 1967. While some people admired the Hell’s Angels’ audacious style, its members had an uneven and sometimes violent relationship with people in the counterculture. 
photoimageMusician in the Panhandle, San Francisco, 1967 
photoimage“Summer of Love,” the Panhandle, San Francisco, 1967 
photoimageSan Francisco, 1967 
photoimageEaster Sunday Love-In, Malibu Canyon, California, 1968. This was a celebration of the counterculture movement. 
photoimageSuzuki-Roshi, a Buddhist teacher, at the Human Be-In, Golden Gate Park, San Francisco, January 14, 1967. Also known as “A Gathering of the Tribes,” the Human Be-In was an effort to promote positive interactions among different groups in society. 
photoimagePoet Allen Ginsberg, Human Be-In festival, Golden Gate Park, San Francisco, 1967. Ginsberg, known for his poem Howl, lived and symbolized the bohemian ideals of the Beat Generation of the 1950s and embraced the counterculture of the sixties. 

It [the counterculture] was an attempt to rebel against the values our parents had pushed on us. We were trying to get back to touching and relating and living.

-Lisa Law, 1985

photoimageMonterey International Pop Festival, Monterey, California, 1967. Monterey Pop was one of the first large outdoor rock festivals in the 1960s. Lisa and Tom Law sheltered people who were having difficult psychedelic drug experiences in their “Trip Tent.” 
photoimageTimothy Leary, the Harvard-trained psychologist who coined the phrase “Turn On, Tune In, Drop Out,” at the Human Be-In, San Francisco, 1967 
WHAT ELSE WAS
HAPPENING?
 
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